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暗黑女子
《暗黑女子》改编自秋吉理香子的同名人气推理小说，描述了女子高中美少女白石逸美神秘死亡以后，逸美同校文学部的少女们，开始以她的死亡为主题，各自发表了检举犯人的作品。由清水富美加和饭丰万理江担任双主演，由《百濑，朝向这边》、《战神：只是爱着你》的导演耶云哉治执导。 影片《暗黑女子》是一部由耶云哉治执导的影片，该片于2017年4月1日本上映。 本片围绕基督教名媛学校圣母玛利亚女子高等学院的理事长之女、全校同学羡慕的物件——白石逸美（饭丰饰演）神秘死亡的故事展开。 好友澄川小百合（清水饰演）代替逸美，继任了文学小组的会长而被成员们怀疑。她为了查明逸美死亡的原因并找出真凶，让成员们写关于「逸美之死」的小说，然后大家一起摸黑开朗读会。 清水富美加饰演文学部部长澄川小百合，白石逸美则由饭丰万理江出演。千叶雄大饰演的北条老师曾是学校文学部的顾问，因向身边工作人员讲猥琐话题被赶走，实际上拥有不为人知的秘密。 其他角色方面，保加利亚留学生狄安娜•迪切瓦由玉城蒂娜扮演，清野菜名出演作家高冈志夜；梦想成为甜点师的小南彩音由小岛梨里杏扮演，总是为奖学金而焦虑的二谷美礼由平佑奈扮演。
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金基石
王一持
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彭发
山姆·佩金法
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神探瓦雷斯：绑票追缉令
★ 9.5 - 2
对不起，我们错过了你
★ 9.3 - 3
惊变28年2：白骨圣殿
★ 9.1 - 4
三国的星空第一部
★ 9.0
编辑推荐
更多 →比佛利拜金狗3
繼２００８年院線電影【比佛利拜金狗】（Beverly Hills Chihuahua），以及２０１１年直接發行影音產品的續集【比佛利拜金狗２】（Beverly Hills Chihuahua 2）之後，迪士尼於２０１２年的秋季再度推出此系列第三部作品【比佛利拜金狗３】（Beverly Hills Chihuahua 3: Viva La Fiesta!），本片跟第二集同樣是以直接發行影音產品的方式在美國首度推出。 在【比佛利拜金狗３】的故事中，比佛利的吉娃娃家庭又有新冒險了！Papi 和 Chloe 以及他們的五隻小狗狗，跟隨他們的主人 Rachel 和 Sam ，搬進了一家大飯店，這裡不但豪華氣派，居然還有專門給狗狗們使用的ＳＰＡ，真是一個最完美的渡假天堂，天天都像是在開嘉年華會一樣！不過，吉娃娃家庭裡最小的成員 Rosa 卻心事重重，原來她覺得自己身體如此瘦小，一點也不起眼，似乎是家裡面最不重要的成員。如今狗爸爸 Papi 知道了小 Rosa 的心事，他要如何幫助 Rosa 建立自信，並發現自己的優點、發揮自己的潛力呢？ 本片由 Sara E. White 製片，由 Lev L. Spiro 擔任執導，劇本則是由 Dana Starfield 所負責。配音和演出的演員則是第二集同樣的原班人馬，例如配音的包括有 George Lopez 、Odette Yustman …等等；而真人演出的演員則包括有 Erin Cahill 、Marcus Coloma …等等。至於在新加入的角色部分，參與演出的則包括有 Frances Fisher 、Sebastian Roché 、J.P. Manoux …等等。
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更多 →251月
灵魂灯笼
《灵魂灯》的故事发生在封建时代的一个北方村庄。Thuong 独自抚养儿子，希望丈夫服完兵役后能回来。一天，Linh（Thuong 的儿子）无意中捡到一盏神秘的灯。他开始称墙上的影子为父亲。据村里的巫师说，这是一盏灵魂灯，可能召唤了寻求报复的恶灵。从那一刻起，不寻常的鬼魂事件开始困扰 Thuong 和村民。
281月
马路天使
安吉拉（珍妮·盖诺 Janet Gaynor 饰）的母亲身患重病，急需药物进行治疗。生活在穷困潦倒之中的安吉拉无奈之下只能行窃救命，她的举动自然遭到了警方的通缉和追捕，安吉拉就此踏上了逃亡的旅途。 途中，安吉拉来到了一个马戏团之中，隐姓埋名成为了其中的一名演员，这正好帮助她拜托了警方的纠缠。在马戏团中，安吉拉邂逅了名为基诺（查尔斯·法莱尔 Charles Farrell 饰）的年轻画家。基诺虽然有着一身的才华却依旧只是一个名不见经传的无名画家，安吉拉的出现激发了他的灵感，帮助他取得了事业上的成就，坠入爱河的两人决定结婚，但在婚礼举行之际，警方还是发现了安吉拉的踪迹。
022月
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.